I’ve used them all for graphics that apply to those categories, and they’ve all come out splendidly. Once again, these are the fonts that I found were suitable for each of these categories. I really find that using a combination of two of these is really quite the elegant addition to any graphic. Century Schoolbook and High Tower Text offer classy features while allowing their header text counterparts to take the stage. They both have an elegant feel to them, and can be used for any classy event graphic. This is why I chose Lucida Calligraphy and Monotype Corsiva. When I think of elegance and class, I think of cursive and italics. They all demand attention, which is why I chose them for my powerful category. Baskerville Old Face and Constantia make for good matching fonts as well. Charlemagne STD and Stencil both provide automatic capital letters, and we all know capital letters make a bolder statement than non capital letters. Is it just me, or don’t all of these fonts just scream “royalty?” When a graphic demands power, or needs to be intimidating or make a bold statement, these are the fonts that will do the job. All of these fonts will keep your graphic as old school as possible, and give it a perfect vintage feel. 20 and Georgia compliment both of them very well for old school body texts.
American Typewriter and College are two good old school fonts, and Modern No. When I think of old school, I think of the mid 20th century in the United States. They aren’t too serious or glamous, and that’s why I like them for my funner graphics. All of these fonts will made the rest of your graphic look a little funner, while still keeping the professional touch. I chose Chalkduster and Lazy Sunday for headers, and Noteworthy and Gurmukhi MN for body fonts.
The categories I’ve included are “fun,” “old school,” “powerful,” and “elegant.” I’ve included fonts for both headers and body text. No worries, I’m here to help! I’ve compiled a few fonts for a couple of categories that I typically tend to make graphics for. Have you ever been faced with what I like to call, “the great font dilemma?” There are tons of fonts out there, and you can only choose from one or two before your graphic begins to look unorganized and well, a little sloppy.
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